(b. 1998, Dhaka, Bangladesh) is a London-based artist whose work explores social, personal, and familial histories. His installations and films are informed by intimate conversations and created in collaboration with communities connected to these narratives, forming an experiential autobiography that opens into a wider collective story.

contact.laisulhoque@gmail.com

Instagram 

2026
The Ground Beneath Me


2024
 
An Ode to All the Flavours

2023  
The Purpose was to Document the Other Side






Education

2020 - 2022



MA in Contemporary Photography: Practices and
Philosophies
, Central Saint Martins, UAL, London

2016 - 2020



BA in English Literature, North South University, Dhaka


Fellowships and Awards



2025  -  2026Flamin Fellowship at Film London

2025 East London Art Prize, Winner

2024 CIRCA Prize, Finalist


Exhibitions and Screenings 

(* indicates solo)


2026The Ground Beneath Me,  East London Art Prize Winner’s Solo Exhibition, Nunnery Gallery, London*

2025The Purpose was to Document the Other Side,  East London Art Prize Late, Whitechapel Gallery, London

The Purpose was to Document the Other Side, Auditorium Nouvelle Vague, Alliance Française de Dhaka*

An Ode to All the Flavours, East London Art Prize, Bow Arts, Nunnery Gallery, London

The Purpose was to Document the Other Side, Harlesden Video Club’24, Harlesden High Street, London 
The Purpose was to Document the Other Side, EXPERIMENTA at Ark, Ark Foundation for the Arts, FGI Auditorium, Sevasi
2024The Purpose was to Document the Other Side, EXPERIMENTA 2024, Goethe-Institut/Max Mueller Bhavan, Bangalore
An Ode to All the Flavours, a day-long Exhibition, Whitechapel Gallery, London*
The Purpose was to Document the Other Side, Screened at Piccadilly Lights screen, London (as part of CIRCA Prize)
The Purpose was to Document the Other Side, Screened at Limes Kurfürstendamm screen, Berlin (as part of CIRCA Prize)
The Purpose was to Document the Other Side, Screened at Essilor Luxottica screen in Cadorna Square, Milan (as part of CIRCA Prize)
An Ode to All the Flavours, Solo Exhibition, Kobi Nazrul Centre, London *

The Purpose was to Document the Other Side, Solo Screening, Project Banani 18, Dhaka *
The Purpose was to Document the Other Side, Solo Screening, Studio 6/6, Dhaka *
The Purpose was to Document the Other Side, Solo Screening, EkshoEk, Dhaka *
Shorts: Joyful Lands, Joyful Bodies, Chronic Youth Film Festival, Group Screening, Barbican Centre, London
I don’t Call Enough but I’m Here Now, Solo Exhibition, Oitij-jo, London *
2023Bhalo Basha, Group Screening, Toynbee Hall, London
ELO MELO Festival, Oitij-jo x Whitechapel Gallery, Group Screening, Whitechapel Gallery, London
Molasses Vases, Group Exhibition, hARTslane, London2022Ajker, Group Exhibition, Oitij-jo, London
Degree Show, Central Saint Martins, 1 Granary Square, London


Press/Reviews



2025Tender Archives, How three emerging artists are reinterpreting South Asia on Harper's Bazaar India by Upasana Das
30 moments for 30 years, Artist Spotlight: Laisul Hoque
by Bow Arts

Private Histories, Public Spaces: Laisul Hoque on the Vulnerability of Personal Art on MOLA by Ella Monnerat
Laisul Hoque’s ode to flavours of his past on The Business Standard by Eshadi Sharif
Laisul Hoque Wins The 2025 East London Art Prize on SHOWstudio
Laisul Hoque Wins The 2025 East London Art Prize on FAD magazine by Mark Westall

2024Laisul Hoque @ Whitechapel on The White Pube by Zarina MuhammadThe Purpose Was to Document the Other Side on The White Pube by Zarina Muhammad

The Purpose Was to Document the Other Side: A Tale of Mediating Generational Gaps on
The Daily Star (BD) by Tasrifa Trisha




Writing


2023Time Is Moving At A Different Pace Back Home: Leaving Behind A Version Of Us, Small World City, Issue 01


Talks/Panels 


2025Laisul Hoque in Conversation with Zarina Muhammad expanding on his East London Art Prize-winning installation, ‘An Ode to All the Flavours’ (2024), Nunnery Gallery, London

(video link)


2024Exploration of “tradition” and “authenticity” in the context of hybrid cultures, An Ode to All the Flavours, Whitechapel Gallery, London

Joyful Lands, Joyful Bodies, Chronic Youth Film Festival, Barbican Centre, London

The Ground Beneath Me, Nunnery Gallery


exhibition view  







The Ground Beneath Me is told from the position of someone standing inside the artist’s bedroom, wondering where he is, what he is doing, and when he will return. Hoque has relocated his entire bedroom – including every object, item of furniture, and personal artefact accumulated during his life in London – to the centre of the gallery. Laid out to the exact floorplan of the original space, the installation forms a room within a room. Without walls, it remains exposed and held in suspension. 

Called away to Bangladesh due to his father’s ill health, Hoque spent the past year living and travelling away from this room. During this time, he tended to familial responsibilities while navigating complex emotional terrain and a persistent longing to return, as Bangladesh experienced the aftermath of a turbulent political transition following the fall of a party that had been in power from 2009 to 2024*. In the artist’s absence, the room holds pain and frustration, offering a view of a life paused, sustained, and left behind. Visitors are invited to move through and engage with the space, revisiting their own memories. 

At the centre of the installation hangs a cardboard lampshade, suspended from above. Constructed as an architectural model of the General Assembly Hall in the National Parliament Building of Bangladesh, it illuminates the artist’s belongings that were once stored in his rented room in London. 

The surrounding gallery walls present Scenes from Departure (2025), a series of drawn boarding passes that mark repeated departures from the room. Each ticket is overlaid with scenes depicting fleeting encounters, periods of despair, and moments of tranquillity. These drawings record images the artist wanted to photograph but could not, or felt it was not right to capture, yet still wished to remember. Together, they trace where he was while the room remained still. 

Further along the nave of the Nunnery Gallery, an excerpt from Hoque’s new film Legacy of a Heart’s Injury (2026) premieres. The film forms part of a longer work currently being developed as part of the Film London 2025–26 FLAMIN Fellowship. It documents a conversation between the artist and his friend as they reflect on the grief they separately experienced in 2009**. For Hoque, this was a time of constant emergency, marked by his father’s illness alongside a national crisis. During that same period, his friend lost her father. After losing contact, they reconnected fifteen years later. 

Throughout the film, family archives – including photographs, holiday videos, and medical records – become entry points for discussing wider political histories. Through conversation, the friends revisit their parallel experiences in an attempt to understand both personal and national events. The film concludes with the artist’s father sitting on a beach, speaking about politics. Personal loss and public history interlace, as grief, survival, and national memory move alongside one another. 































All the photos above are from The Ground Beneath Me,  East London Art Prize Winner’s Solo Exhibition at Nunnery Gallery, London.

Running from Friday 6th February 2026 – Sunday 12th April 2026 , 10:00am to 4:00pm.

Images by Rob Harris. 


Notes


* In July 2024, a mass uprising occurred in Bangladesh, overthrowing a political party that had been in power for 15 years and resulting in a significant civilian death toll. Shortly after, an interim government was established and preparations began for an election in 2026. As the country navigated a tumultuous period of political restructuring, civil insecurity, and social unrest, crises in Hoque’s personal and public life coincided when his father became critically ill.

** In February 2009, 15 years before the July 2024 mass uprising, the Bangladesh Rifles revolt took place in Dhaka, during which members of Border Guard Bangladesh seized its headquarters and killed 57 senior army officers. The revolt was driven by allegations of corruption and demands for structural reform in the military. The political party that was overthrown in 2024, then recently in power, launched an investigation with support from the FBI and Scotland Yard. Following this investigation in 2013, the Dhaka Metropolitan Sessions Court sentenced 152 people to death and 161 to life imprisonment; 256 received prison terms of three to ten years, while 277 were acquitted. Following the fall of the ruling party in September 2024, a new commission was established to reopen the investigation. In November 2025, the commission released its findings, concluding that the massacre in 2009 had been a planned operation, citing extensive evidence of involvement by the political party then in power, with external support from other countries. It was during this same period in Hoque’s childhood that his father was first diagnosed with a critical illness.

References and further reading
Ramesh, Randeep. Troops’ revolt rocks Bangladesh capital. The Guardian, 25 Feb 2009. https://www.theguardian.com/world/2009/feb/25/bangladesh-mutiny-soldiers

Reuters. Scotland Yard team in Bangladesh for mutiny probe. 11 Mar 2009. https://www.reuters.com/article/world/scotland-yard-team-in-bangladesh-for-mutiny-probe-idUSTRE52A1CN/

BBC News. Bangladesh tries 800 soldiers for bloody 2009 mutiny. 5 Jan 2011. https://www.bbc.co.uk/news/world-south-asia-12123651

Associated Press. 152 Bangladeshis Sentenced to Death Over 2009 Border Guard Mutiny. The Guardian, 5 Nov. 2013. https://www.theguardian.com/world/2013/nov/05/bangladesh-sentences-152-people-to-death

Al Jazeera. Bangladesh to investigate 2009 paramilitary mutiny massacre. 26 Dec 2024. https://www.aljazeera.com/news/2024/12/26/bangladesh-to-investigate-2009-paramilitary-mutiny-massacre

Ahmed, Redwan, and Hannah Ellis-Petersen. Bangladesh student protests turn into ‘mass movement against a dictator’. The Guardian, 26 Jul 2024. https://www.theguardian.com/world/article/2024/jul/26/bangladesh-student-protests-mass-movement-against-dictator

Mason, Rowena. What Led to Bangladesh Trial of Former UK Minister Tulip Siddiq in Her Absence? The Guardian, 1 Dec. 2025. https://www.theguardian.com/world/2025/dec/01/what-led-to-bangladesh-trial-of-former-uk-minister-tulip-siddiq

Haider, Zia. In the Light of What We Know. Farrar, Straus and Giroux, 2014. 

Choudhury, Numair Atif. Babu Bangladesh!. HarperCollins India / Fourth Estate, 2019. 

Mohamed, Naeem. Midnight’s Third Child. Nokta, 2023. 



More Information

https://bowarts.org/event/east-london-art-prize-2025-winners-exhibition-laisul-hoque/