Born in Dhaka, Bangladesh, 1998 
Lives and works in London


contact.laisulhoque@gmail.com

Instagram 

2026
Learning to Drive in Birmingham

2026

The Ground Beneath Me


2024
 
An Ode to All the Flavours

2023  
The Purpose was to Document the Other Side




Exhibitions and Screenings 

(* indicates solo)


2026(Ongoing till 6th September)
Backyard Biennial: East, Whitechapel Gallery, London


(Ongoing till 3rd October)
Grand Union, Birmingham*  


An Ode to All the Flavours, Harlesden High Street, London*

The Ground Beneath Me,  East London Art Prize Winner’s Solo Exhibition, Nunnery Gallery, London*

2025The Purpose was to Document the Other Side,  East London Art Prize Late, Whitechapel Gallery, London

The Purpose was to Document the Other Side, Auditorium Nouvelle Vague, Alliance Française de Dhaka*

An Ode to All the Flavours, East London Art Prize, Bow Arts, Nunnery Gallery, London

The Purpose was to Document the Other Side, Harlesden Video Club’24, Harlesden High Street, London 
The Purpose was to Document the Other Side, EXPERIMENTA at Ark, Ark Foundation for the Arts, FGI Auditorium, Sevasi
2024The Purpose was to Document the Other Side, EXPERIMENTA 2024, Goethe-Institut/Max Mueller Bhavan, Bangalore
An Ode to All the Flavours, a day-long Exhibition, Whitechapel Gallery, London*
The Purpose was to Document the Other Side, Screened at Piccadilly Lights screen, London (as part of CIRCA Prize)
The Purpose was to Document the Other Side, Screened at Limes Kurfürstendamm screen, Berlin (as part of CIRCA Prize)
The Purpose was to Document the Other Side, Screened at Essilor Luxottica screen in Cadorna Square, Milan (as part of CIRCA Prize)
An Ode to All the Flavours, Solo Exhibition, Kobi Nazrul Centre, London *

The Purpose was to Document the Other Side, Solo Screening, Project Banani 18, Dhaka *
The Purpose was to Document the Other Side, Solo Screening, Studio 6/6, Dhaka *
The Purpose was to Document the Other Side, Solo Screening, EkshoEk, Dhaka *
Shorts: Joyful Lands, Joyful Bodies, Chronic Youth Film Festival, Group Screening, Barbican Centre, London
I don’t Call Enough but I’m Here Now, Solo Exhibition, Oitij-jo, London *
2023Bhalo Basha, Group Screening, Toynbee Hall, London
ELO MELO Festival, Oitij-jo x Whitechapel Gallery, Group Screening, Whitechapel Gallery, London
Molasses Vases, Group Exhibition, hARTslane, London2022Ajker, Group Exhibition, Oitij-jo, London
Degree Show, Central Saint Martins, 1 Granary Square, London



Press/Reviews






2026The art of the wheel on The Dispatch (Birmingham) by Rachel Segal Hamilton


Laisul Hoque @ Nunnery Gallery on MOV.R by Oisín McGilloway
Art shows to leave the house for in February 2026 on Dazed by Ashleigh Kane
This Spring’s Must-See Contemporary Art Exhibitions on British Vogue by Mahoro Seward
London's Finest Exhibitions and Gallery Shows on Because Magazine by Matteo Pini
Laisul Hoque's 'The Ground Beneath Me' – capturing the moments national histories meet on East End Review by Sarah Birch
2025Tender Archives, How three emerging artists are reinterpreting South Asia on Harper's Bazaar India by Upasana Das
30 moments for 30 years, Artist Spotlight: Laisul Hoque
by Bow Arts

Private Histories, Public Spaces: Laisul Hoque on the Vulnerability of Personal Art on MOLA by Ella Monnerat
Laisul Hoque’s ode to flavours of his past on The Business Standard by Eshadi Sharif
Laisul Hoque Wins The 2025 East London Art Prize on SHOWstudio
Laisul Hoque Wins The 2025 East London Art Prize on FAD magazine by Mark Westall

2024Laisul Hoque @ Whitechapel on The White Pube by Zarina MuhammadThe Purpose Was to Document the Other Side on The White Pube by Zarina Muhammad
The Purpose Was to Document the Other Side: A Tale of Mediating Generational Gaps on
The Daily Star (BD) by Tasrifa Trisha








Writing


2026 The first time I felt art in my nose, The Guardian

2023Time Is Moving At A Different Pace Back Home: Leaving Behind A Version Of Us, Small World City, Issue 01





Talks/Panels 


2026UCL x Bow Arts knowledge exchange labs, panel discussion with artist Laisul Hoque and Yang Zou, and UCL PhD candidate Vincent Hasselbach, UCL East Cinema Room, London


 Laisul Hoque in conversation with Zarina Muhammad, on exploring microhistories and memory through literature in the context of Bangladesh’s political changes in 2024–25, Nunnery Gallery, London


2025Laisul Hoque in Conversation with Zarina Muhammad expanding on his East London Art Prize-winning installation, ‘An Ode to All the Flavours’ (2024), Nunnery Gallery, London

(video link)


2024Exploration of “tradition” and “authenticity” in the context of hybrid cultures, An Ode to All the Flavours, Whitechapel Gallery, London

Joyful Lands, Joyful Bodies, Chronic Youth Film Festival, Barbican Centre, London





Prizes and Fellowships



2025  -  2026Flamin Fellowship at Film London

2025 East London Art Prize, Winner

2024 CIRCA Prize, Finalist






Education

2020 - 2022



MA in Contemporary Photography: Practices and
Philosophies
, Central Saint Martins, UAL, London

2016 - 2020



BA in English Literature, North South University, Dhaka




Learning to Drive in Birmingham, Grand Union




Press

The Dispatch (Birmingham)





It’s been a while. I don’t know where to start. How have you been?

For starters, I’m in Birmingham.

There’s construction everywhere, and I’m finding it difficult to navigate the city using public transport.

I’m always running late. I’m still figuring out how to get around.

Most people drive here, I think. At least, the people whose stories I’m interested in do.

Last year, I was called back to Bangladesh to care for my ailing father. Everything else was happening at the same time.

The most useful thing I could have done was drive him to the hospital every day.

Then again, I’ve never been a useful son.

I guess it’s time for me to learn how to drive.

I found a book in the Birmingham Library.

Inside it, I found a photograph of Sheikh Mujibur Rahman in Digbeth Civic Hall in 1969.

That was before the independence of Bangladesh.

There was also a letter.

People here have told me that we should be grateful to the Bangladeshi community in Birmingham. They did so much for our liberation movement.

Revolutionary figures. World leaders. Oppressive rulers. And the people here, and their proximity to them.

I also wanted to know what it was like to grow up away from all the mess of our politics. What would that childhood have been like?

I wish I could show you the city, Mehrul.

I wish I could show you everything I’ve learned from being here.




  • From a phone call between Laisul and Mehrul



















Imgaes by Tegen Kimbley  


The exhibition comprises a 30 minute film projection installed into Grand Union’s gallery space. Transforming and coating the window frames with tinted car window film, the space presents an altered view of the Birmingham landscape.



In ‘Learning to Drive in Birmingham’ Laisul, a Bangladeshi immigrant now living in the UK, attempts to navigate Birmingham through driving lessons, conversations in cars, and phone calls from home.

Filmed inside vehicles and among construction sites, blocked roads, and sprawling South Asian neighbourhoods on the city’s outskirts, the work reflects on mobility, belonging, and displacement, while offering a glimpse into the lives of Bangladeshi communities who have made Birmingham their home. ‘Learning to Drive in Birmingham’ captures the stories, histories and experiences of the Birmingham Bengali community and the significant part they played in the Bangladesh liberation movement during the 1970s.  


Laisul’s process of engagement unfolds through intimate exchanges of services, labour and time, revealing his particular experiences of the complexity and proximity of growing up through political tensions in Bangladesh - and how that differs to those of different generations of migrants in Birmingham.  


The film offers sensitive and intimate understandings of the migrant experience in navigating a new city: how cultural exchange, labour and identity are interwoven into the fabrics of a place merging histories and cultures.


By learning to navigate Birmingham, Laisul journeys through city road systems, personal memories and local archives, thoughtfully interweaving captured moments into a film that carefully collects and holds these stories in shared and collective narratives.  


This work is supported by Arts Council England, Bow Arts East London Art Prize and Grand Union. With thanks to MJM Bespoke for fabrication and installation. 


Exhibition Continues
4 July - 3 October 2026

Wednesday, 2–5pm, and Thursday to Saturday, 12–5pm


Online Screenings

3-6 July 2026

2-5 October 2026


Credits

Subtitles: Afra Nuarey 

Soundscape and Score: Abid Farhan 

Co-Producers: Jo Capper, Hannah Wallis 

Featuring: 

Mehrul Bari S Chowdhury (telephone conversation) 

Harun Al Faruque (driving instructor) 

Nilupa Yasmin 

Muhammad Ali (Knights of the Raj) 

Tony Huq (archive interview) 

Archive Materials: Media Archive for Central England 

Additional Archive Materials: 

The Daily Star (Bangladesh) 

The Margaret Thatcher Foundation 

Knights of the Raj (Soul City Arts) 

50 Years of Bangla Brummies (Purbanat) 

Community Archive Citizen-generated photographs and videos compiled by volunteers during the July 2024 Mass Uprising in Bangladesh 


Special Thanks: Sophie Hill, Alex Paveley, Duncan Poulton, Ian Francis, Murad Khan (Purbanat), Sue Winn (MACE)



More Information

https://www.grand-union.org.uk/whats-on/learning-to-drive-in-birmingham-laisul-hoque